My artistic practice delves into the critique of emerging spiritual paradigms, seeking to portray this evolution through a diverse array of mediums. Drawing inspiration from the medieval period of Western art, characterized by its gold-ground paintings, ornate reliquaries, and elaborate stained glass, my work aims to encapsulate the divine essence of that era while re-imagining it within a contemporary context.
In contemplating what is deemed divine in our modern era, I focus on the artifacts of our digital technological lineage, from computers to cell phones. These objects have assumed a position of paramount importance in our daily lives, akin to the reverence once reserved for the Christian pantheon. In today's world, where sacred paintings have yielded to constant interactions with our devices, these technological marvels serve not only as tools but as symbols of our devotion, each use akin to a prayer offered.
My artistic exploration centers on the emergence of a new form of worship, one championed by the most influential institutions of our time—be it Google, Facebook, or Amazon. The burgeoning influence of these entities is palpable in the metaphysical speculations of our era, where the concept of reality as a simulation and the eventual melding of human consciousness with machines are increasingly discussed. While I may not endorse this burgeoning movement, I feel compelled to document its inception and evolution.
I choose to represent this proto-religion by personifying the ecclesiastical figures of our time—not the individuals behind these technological advancements, but the devices themselves. This deliberate omission of human figures underscores the environmental toll exacted by the production of these devices and the potential for a future world devoid of human presence. Moreover, it reflects the societal complexities and paradoxes exacerbated by our immersion in technology-driven platforms, which often foster antisocial behaviors.
By employing visual motifs reminiscent of the medieval and pre-Renaissance periods, I aim to bridge the gap between contrasting yet parallel epochs, evoking an anachronistic ambiance. This approach not only captures the essence of this emerging religion but also conveys the sensation of all temporalities coalescing—a sensation facilitated by our instantaneous access to vast troves of information.